St. Ives and London
- At January 26, 2022
- By Amber
- In Studio Journal
- 0
After 3 years, I finally got back to the UK to visit my family at Christmas. It was so good to see them all.
St. Ives
I managed to squeeze in a trip to St. Ives because it is one of my most favourite places on earth and to visit the Tate. I saw Petrit Halilaj’s exhibition: Very volcanic over this green feather. It was built around drawings Halilaj made aged 13 whilst living with his parents in a refugee camp in Albania, displaced by the Kosovo war. The drawings are magnified to a monumental scale, soaring birds, animals and symbols of faraway places are entangled with fragments of conflict. Walking through the drawings was like walking through a hallucinatory dream. The contrast between the tropical landscape elements and scenes of conflict made the scenes of conflict more horrifying to me, as I saw them as looking through the eyes of the child that witnessed them.
London
At the end of my visit I spent the day in London before flying back the next day. What to see when you only have a day? I decided on the London Grads Now. 21 at the Saatchi Gallery in the morning and then onto the Hokusai exhibition at the British Museum. I loved the grad show at Saatchi Gallery, it was really inspiring to see the range of work and innovative mediums being used. Also at the Saatchi Gallery was an exhibition by Ally Mcintyre ‘Dog Day Circus’. Dynamic and vivid paintings incorporating media such as glitter and hair spray.
I was avoiding the underground to try and minimise my covid risk and walked across London from the Saatchi Gallery to The British Museum. Stopping for lunch at a coffee shop along the way. The show consisted of 103 drawings by Katsushika Hokusai which were made for an unpublished book The Great Picture Book of Everything. I kind of encyclopedia of its time. The drawings are exquisite – imaginative, creative, sometimes humorous and sometimes spiritual. Many of the drawings were not much bigger than a postcard and they conveyed so much information and energy in such a small space. I also got to see in person various prints of The Great Wave off Kanagawa which if I am honest it’s a picture that feels so familiar to me I found the illustrations for the book far more interesting. I am in awe of Hokusai’s level of detail, observation and economy of line. It was a wonderful show and I am grateful I got to see it.
Right now I am prepping for a group show of tunnel books coming up in March – more details to follow.
Until next time London x